When we last met, the Goom-lair came under attack, everyone started
hallucinating, and Morgan started dreaming…
Morgan is on the ferry, and the Hand Made Man, possessing the
Statue of Liberty, has waded into the Hudson River
with its mouth agape, water rushing in, pulling the boat swiftly inward. As it collides, Morgan awakens with a start,
tangled in her blanket on the floor of her apartment. She texts the group, “Statue of Liberty. Hand Made Man.”
Looking out her window, she sees two figures in a car parked outside of
her apartment. One figure is taking
pictures of her flat. Morgan opts to
carry on normally and not give them anything to use… against her?
Back at the Waldorf, Alia has been raking in the cash,
having scored some work off of stranded businessmen at the hotel. She visits Drake briefly and talks to him
about laundering some of the extra cash she’s been squirreling
away, out of sight and mind of her pimp.
She gives him $3000 to start with, not much by Drake’s standards, but
definitely something she’d rather keep away from Smoky’s notice.
Wally has gone back to his old apartment complex, where he
finds a group of professional movers boxing up his belongings and loading them
into a moving van. When one of them
pauses to speak with him, he is promised that they’ll have everything to the
new apartment by the end of the day.
Considering he doesn’t have very much to begin with, they’re out in
about half an hour. At a loss, he starts
back to his new place, alerting Alex and Goom that there will be movers coming.
Back at Wally’s, Alex and Goom are watching TV and knitting
(Goom), when Alex’s burner phone rings.
It is Debbie, his daughter.
“OK, I’m curious. Who
are you?”
“Alex Constant”
“That’s…”
“Messed up, I know.”
As he says this, Alex’s main phone starts ringing, but he lets it go to
voice mail.
“Listen, can we meet?”
“Yeah, we can do that.”
His other phone starts ringing again, and again he ignores it. He and his daughter decide to meet the next
day at a Starbucks off of Times Square, around
11:00 in the morning. As they hang up,
his phone rings a third time, and Alex answers it. It is Debbie again. She sounds distressed, in tears, says it is
dark and cold where she is, and she can hear trains. She screams, the sound fading as though being
pulled away from the phone, to be replaced by heavy breathing.
“Who is this?” Alex
asks.
“You have… our attention,” comes the reply, and the line
goes dead.
Alex turns to Goom, who acknowledges that he could hear it
on the phone as well, so Alex knows that he isn’t hallucinating things. He messages the group to let them know, and
Morgan chimes in that she has suspicious visitors at her apartment as well.
Gareth has been running around the city, pilfering iron
scraps from construction sites and the like.
He’s towing it all home with him in a wagon. When he gets the messages from Alex and
Morgan, he scans the area carefully, but does not notice anyone – or anything –
untoward. When he gets off the freight
elevator across from his flat, he notices that his door is ajar. Carefully stepping into the room, he
confronts a youngish guy who is wearing a blue polo bearing an embroidered “Acer
Acquisitions” logo. When questioned, the
guy informs Gareth that Acer just bought his building, and as the new owners
they are conducting surveys of the residences, and does Gareth have anything to
report – leaky pipes, bad heater, loose flooring? Gareth, highly suspicious and well put off,
tells him everything is fine and watches him until he leaves. Wanting to make sure Kali’s place is not
molested, he bounds up the two flights of stairs that separate them. Not wanting to worry her while she’s still in
hospital, he opts to lockpick his way into her flat.
The Acer guy isn’t there, and so Gareth takes the
opportunity to clean up the vomit still lingering from Kali’s suicide attempt
some days prior. Without heat, the sick
has frozen solid to the floor and toilet, although with plenty of cleaning
products and some chiseling, Gareth has it spotless by the time Mr. Acer enters
the apartment. The guy is,
unsurprisingly, confused to see Gareth in there, but Gareth just claims he is
house sitting, and the guy proceeds with his inspection. At this point, Gareth does text Kali,
although doesn’t let on that he broke in.
Once the guy is gone, Gareth, against what he is sure is his better judgment,
messages Drake to ask him to look into Acer Acquisitions.
Drake does some digging and finds that Acer is a brand new
company recently formed by one Luthor Grant, and they have recently acquired many
buildings in lower-income areas of New
York City. From
the looks of it, Luthor is not grouping these buildings together, which would
suggest tearing down to gentrify, but rather is seeding the area. He replies back to Gareth some time later
that it, “Looks legit. Not owned by
anyone we hate. Yet.” “Yet?” comes the reply. “Day is young.”
Alex decides that he is going to scope out the Starbucks
ahead of time. Knowing that he (or,
Konstantyne) is currently one of the most wanted men in the city, he disguises
himself, using a combination of mundane effects as well as his new abilities to
alter his appearance. He leaves, warning
Goom of the impending movers and saying he’ll be back. He finds that the cafĂ© is not ideal – it only
has entrances off the street and no way out the back. While wandering about the store, he becomes
aware that he is being watched by a black van, which is idling with its side
door open. He walks purposefully down
the street, and the van creeps along behind him. Finally, Alex dips into a subway station and
loses his pursuers.
A little later that evening, Goom and Morgan are each
watching television and catch a TMZ report sensationalizing that Konstantyne
has been spotted in Times Square sporting a really terrible disguise. The NYPD are nowstaking out the Starbucks. Morgan alerts Alex.
That night, Alia leaves the Waldorf and returns to her
regular apartment. Goom stays at Wally’s,
watching the door and cleaning his M16.
Alexis calls Wally and asks if she could come over to his new place
because, among other things, he actually has heat. She’s obviously been informed of some of his
new situation (Wally recalls Hank saying that Alexis would be taken care of). Wally concedes and calls a cab to pick her
up. Shortly after she arrives, meeting
Goom, they retire.
Wally dreams. He is
sitting on the couch in his new living room.
There is a knock at the door, quick and reverberating, although a look
out of the peep hole does not reveal the visitor. He does note, however, that the hall is not
his apartment hall, but an unknown place with bright red walls, green doors,
and dark maple floors. The knocking
comes again, and Wally opens the door to see a kid who he has seen on his
floor, although the child is dressed in knickerbockers and other early-century
garb. He is freaking out, babbling about
the Hand Made Man, and Wally allows him in.
Just as the kid enters, everything slows to a crawl. Wally, somewhat lucid in his dreaming, has
willed a gun into his hand as he forces the door closed. Something is pushing back and a figure storms
in.
The thing is made of Erector Sets, with a face of
bolts and gears. The kid runs, the erectorman giving chase, paying no mind to Wally, who fires at the Hand Made Man. One hits, and the thing yells. Another shot shatters the window, and it
bursts into a vacuum, sucking out all three figures. Wally hangs onto the window ledge as he
watches the kid and the Hand Made Man running down the face of the building. Wally tries to pull himself back into the
apartment, but he is fighting gravity, and finally plants his feet on the side
of the building, standing upright, and his gun is floating beside him. He grabs it and shoots again. Suddenly, Alia is beside him, sitting astride
an enormous black horse. She wears a
long feather boa that pools on the building at her steed’s feet. “Why are you, like, the coolest person I
know?” Wally asks her as he fires
another shot, squarely hitting the Hand Made Man, sending it tumbling down the
building.
Admiring his marksmanship, Alia declares, "Giddyup," and gestures with her head for Wally to climb aboard, which he does, coolly leaping onto the horse, sitting behind Alia, as she spurs the beast to gallop after the Hand Made Man. As they ride, they hear the horse’s hooves breaking windows as it speeds down the building, but there is another noise scraping along with them. It is the stallion’s enormous phallus, dragging on the ground.
Admiring his marksmanship, Alia declares, "Giddyup," and gestures with her head for Wally to climb aboard, which he does, coolly leaping onto the horse, sitting behind Alia, as she spurs the beast to gallop after the Hand Made Man. As they ride, they hear the horse’s hooves breaking windows as it speeds down the building, but there is another noise scraping along with them. It is the stallion’s enormous phallus, dragging on the ground.
Wally fires again at the monster, sending it flying off the
building to crash upward through another structure across the street. The boy stops running and turns to Wally and
Alia.
“You all right, kid?”
Wally asks.
“Why am I here?”
“Are you dreaming?”
“I think so. Why are
you in my dream? This can’t be all of
our dreams.”
Wally and Alia aren’t sure how to answer him. The kid seems weirded out by the giant horse
dick anyway, and says he has to go as he fades out and disappears.
What I get for searching "comically large horse cock"... |
Wally and Alia take a moment to discuss the concept of
shared dreams. Alia decides, what with
this being a dream and all, that she will ask the horse his name. Gareth suddenly realises that someone is
talking to him, and replies with the only thing that seems immediately relevant.
“Oh dear god, I’m a horse.”
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