When last we met, our heroes did some investigating, and
mostly tried to carry on with their lives.
It is Thursday, 28th November, Thanksgiving, and
everyone is headed to Gareth’s for a holiday meal which doubles as their
regular support group meeting. Everyone
brings a little something to share, and Morgan has invited Alia along.
Though no one speaks to it, this is the best Thanksgiving
any of them have had in a while. Though
things are awkward at first (what do you expect with a house full of jaded and
wounded souls?) once the alcohol starts flowing, things loosen up. Pretty soon they’re laughing and telling
stories, until someone mentions Meagan, and the room falls back to silence. But then Diggles comes up, and there they go
again. Gareth tells of some truly
ridiculous and embarrassing things Diggles would do back in the 90s when Gareth
and his partner, Sam, would buy from Diggles in clubs (without divulging any of
the more intimate details of his
erstwhile relationship). That’s when
Alia puts it all together and realises that these people are the cause of all
of Diggles’ recent rash of bad luck – word does tend to get around the seedy
underbelly of the city.
It is Gareth who notices the lacquered butterfly box that
Wally brought in, and calls it out.
Wally explains what happened to him after leaving Gareth’s apartment the
last week, after his encounter with a taxi, and the creepy limo that followed
him around. He passes around the
invitations, which detail the time and place of the meeting, which is the
following afternoon at the Chrysler
Building.
While deciding what to do about the invite, those who
weren’t around earlier are brought up to speed on Drake’s conspiracy theory
about his doppelganger’s devious plot, and the possibility that Alex’s doppel,
Konstantyne, is involved in some way with his upcoming “Christmas Day
Massacre”. Adding to the connections,
Morgan reveals that her doppel is known as "The Oracle”, a woman who
has an uncanny knack for reading and playing the stock market, and who has made
billions off of this skill, making her one of the top investors in the
world.
The following day, everyone meets at the Chrysler Building
at the appointed time. They are taken up
a series of elevators to the 75th floor, which houses a triumvirate
of related corporations: Harajuku Importers (which Wally
recognises as his friend Alexis’ place of business), Harajuku Limited, and
Shinjuku Exporters. The lobby
is very plush, with laquered wood, crystal clear glass doors, and a very nice
reception area. They are greeted by a
very pretty young lady named Harmony , who offers them
drinks, which some accept, and they wait around for a few minutes before
Harmony leads them through an expansive office space, to yet
another elevator in the back of the building.
She activates it through a series of biometric scans, which verify her
through her handprint and eyes. She
rides with them to the very top floor, where she smiles at them and
leaves.
They are left in a hall with mirrored walls, cherry wood,
marble floors, with two bronze pillars in the centre, holding a Japanese scroll
suspended in protective glass. It is a
poem, and a podium in front of it provides a translation:
As the cherry blossoms fall
At the height of their glory
So, too, must I fall
That men may call me
A flower of Yamato,
Though my bones lie scattered
In the bleak wilderness
Of strange and distant lands.
At the height of their glory
So, too, must I fall
That men may call me
A flower of Yamato,
Though my bones lie scattered
In the bleak wilderness
Of strange and distant lands.
Before they continue on, Drake turns on his glamour, making him seem in an instant
as though he’s beautiful beyond comprehension.
From a door at the end of the hall steps a bald Caucasian man who greets
them and motions for them to follow him back through the doors from which he
came. They squeeze into a small corridor
with air vents that blow up, down, and in from all sides, as though creating a
curtain of air to keep something from passing through. When they emerge on the other side, they see
what is being contained.
The room they step into his huge, easily 100 feet by 300,
with artificial branches covering the ceiling, coming up from the floor,
creating an enchanted woodland space at the top of the skyscraper. And fluttering about are hundreds, thousands,
of butterflies. The view out the windows
is magnificent, a treat to see New
York’s skyline the way so few can. Turning around, they see a large ornate desk
in the room’s centre, and – at the very farthest corners – two huge tigers chained
to the floor.
The man wheels in a frail female figure wearing over-largedark sunglasses dressed in white and with limbs bound
with gauze, almost like an Egyptian mummy, leaving her sitting at the desk
where she begins to unwind the coverings around her hands, revealing the paper
thin skin of the truly ancient. She is
easily in her 90s, if not older, and of Asian descent, some of her hair still
black. When she removes her glasses, her
face passes in and out of shadow, showing this visage to be an illusion, much
like when Wally and Alex saw each other looking strange. Her other self only appears to be about 70
years old, a difference of at least 20 years.
It is then that they all realise, as they’re standing mostly
in shadow, that they’ve all taken on an Other appearance:
Alex looks
featureless and pale, as he’d seen in his reflection at the school.
Wally,
similarly, appears corpselike, as Alex had described him.
Goom is
ogre-like, with one eye, but still very much like himself
Alia looks
bestial, partly human, partly catlike, partly something else entirely
Drake, even
accounting for his glamour looks
stunningly gorgeous, beyond human.
Morgan’s
hair and clothes move on their own accord, as though rustled by an ever-present
breeze.
Gareth
looks gaunt, as though he’d lost at least 50 pounds from his already thin
frame.
Drake approaches the woman, and she greets them, introducing
herself as Madam Butterfly, though invites them to call her by her given name,
Yuri-ko. She calls them each by their
actual first names and offers to answer questions.
She is one of them and has been for some time. She had been in contact with Meagan, assisting
her before her disappearance, but claims she doesn’t know where she is. Morgan
senses she’s not being entirely truthful.
Wheeling herself out from behind the desk, she drops a bomb
– she’d always thought, as the group has, that she’d been taken and replace by
something Else, but she and we are wrong.
We, it seems, are the doubles, the inhuman ones. At this declaration, she flips a switch to
illuminate an aquarium below their feet.
In it swim fish of various types, but in its own spot bobs the head of a
younger Japanese woman. Madam Butterfly
claims that this is herself, her supposed “double”. She’d had her executed in the 1950s, but not
before she did some tests on both of them, the results of which convinced her
that she herself was not human, but this other woman was. After she killed herself, Yuri-ko took over
her other self’s life, expanding her business to the empire that is represented
in part here in the Chrysler.
She speaks of others like them who she has encountered
before, others who could not handle what they really were, who succumbed to the
strange power that comes with their state, and who ultimately went mad and
disappeared underground. That is why she
cautioned Meagan (and cautions the others now) not to go under ground, for the
closer one gets to the centre of the Earth, the thinner the boundaries between
our world and that of the Vanishers become.
She turns to Goom, saying that she fears for him the most, as he seems the one most likely to succumb, especially given where he lives. The assembled group all has gifts, she explains, but they couldn’t start
to realise their own powers until placed under great stress, and that’s why
she’s been toying with them for the past few weeks. It was she who placed the strange phone calls
to Alex and Wally, she who planted the note on Wally during the bust, she who
had suspicious persons watching Morgan’s workplace, and so on. She who blew up the #7 bus outside their old
meeting place.
The others, the “doubles” who have been living stolen lives
(or not?) have no memory of their taking.
The group, as constructs made by the Vanishers, have connections to
human dreams, can manipulate people through dreams, and that includes their
other selves. But that is a dangerous
undertaking, as once the doubles are aware of their Other, they can use that
dream connection to inflict suffering upon that individual.
Madam Butterfly reached out to this group of misfits because
she needs them – there is much she wishes to accomplish before she dies, and
she does seem to have a queer fixation with death. She has spent decades searching for those she
claims created them. Why do these Other
beings exist? She needs to have some
understanding before she passes on. She
has a group of six other Others also working for her, although they don’t have
the same social support and strength that this group has formed. These others had been assigned to keep an eye
on Meagan, but after a certain time, they were no longer able to locate
her. She still claims she doesn’t know
exactly what happened to Meagan.
She offers to train them.
Those who advance to be adept in their abilities without succumbing to
madness are rare, their minds usually tend to fall apart. There are spaces where the wall
between this world and the Vanishers is thin, and they happen to be standing
atop one of those spaces, which she has harnessed here. She mentions that iron reduces the energy
from the other side and is detrimental to the creatures that come from it.
When Gareth calls her out on not having done anything to
affect him, she brushes him off, saying that she put in a good word for him at
The Box, which is, unsurprisingly, another one of her properties, and a gate to the
Vanishers’ world.
She speaks of a blood test that can be performed to show us
that we truly are unhuman. Recalling
that Wally is something of a chemist, she pulls a folder of lab results from
her desk, handing it to him. What he
reads shows a chart, blood panels, of an unnamed individual. The levels of various neurochemicals in the
blood show that this person should be both experiencing serious bouts of
psychosis, but also that they should be unconscious. Overall the numbers seem to be way off, but
they are consistent with a human sleeping and in an active dream state. She insists that any one of the group, if
tested, would give the same results, even when awake.
They agree to her training, which will take place over the
next few weeks, sometimes as a group, sometimes individually. To seal the deal, and for their mutual
protection, she offers a peace pact – she and the group will be bound by blood,
and for the duration of the pact, none of them can willfully inflict ill
against another in the bond. The bond
will last until 1st January, although they are free to enter into it
again at any time. She takes out a knife
and cuts her hand, asking each of them to do the same. They do, with Alex and Gareth hesitating and
going last (Gareth has a thing about
mixing blood). Again, she calls them
each by their real first names – Gareth, Alex, Wallace, Alia, Thaddeus (Goom),
Muriel (Morgan), and Charles (Drake).
As a show of good faith, Yuri-ko offers them any services they might need, as she has a great deal of cash and influence at her disposal. Alia steps up and inquires if there are doctors available, as she has a friend (Mia) who needs a procedure done. Though they speak only in the vaguest terms, Madam Butterfly does agree to provide a doctor to perform the abortion, provided that Alia makes good on the promise to train with the others on their new found abilities. Alia concedes, and arrangements are made.
Goom does some quick medic work on those who want it, to
help their hands heal quicker, and after a short time they all leave, returning
to their lives for a brief while before entering into an intensive two week
period of training with Madam Butterfly.
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